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New Eden Capsuleer's Writing Contest - YC 117 - "Two Parables"

Author
Goldfinch
Garoun Investment Bank
Gallente Federation
#1 - 2015-10-29 06:31:35 UTC

This story is a submission for Lunarisse Aspenstar's New Eden Capsuleer's Writing Contest - YC 117. This story is told Out of Character.



EXT. - AMARANTH HOLDING ON MISHI IV - SWAMP - DAY.

Kin drew back on the bowstring, hearing the Kreshwood sigh from pressure. The sightline of her arrow pointed into a sizeable grotto wet from intermittent rain. Sunlight formed moats in places where it fell through black clouds. Such was Amaranth, her family's ancestral Holding by right of fealty and Faith. It was an infertile neck of bog and overgrown forest. Only wild things grew here. The siege of nature had long driven out farmers, leaving only woodsmen, trappers, and other such forsaken men.

The cumbersome flapping of wings accompanied two shambled masses of feathers and claws. They descended in graceless flight to perch upon a dead tree. The tree hung like a gallow over the grotto. The great birds crooked their necks down towards the hole, their eyes hungry. In the rainlight Kin recognized the buzzards, her friends Huma and Benu. Their presence meant only one thing: someone had died inside the grotto.

Kin bowed her head in respect to the carrion birds, and in turn they waited for her to disembark first. Kin put away her arrow and slung her bow over her shoulder. She knelt down at the mouth of the grotto and sniffed the air, closing her eyes to parse the smells: moss and wet mud, wild Katcha roots, something like musk, the aroma of fresh blood.

She took hold of a bush that grew along the grotto wall and slung herself down. She was not afraid of the unkempt foliage or the sounds of wild creatures or even the dark. She landed on her feet, hunched down over the shape of a fallen body of a man, a Ni-Kunni by the looks of him. His clothes were torn, and his arms were twisted around as if he were flung. His chest was ripped open and ribs stuck out like spider legs. Lightning crackled along the clouds, warning Kin of an impending storm.



LIVING DANGEROUSLY PRODUCTIONS
PRESENTS

A JADE OKAMOTO
FILM

TWO PARABLES

ALI NANASE

TERRY LOUISE SPENCER

AND

JAMES SHARPE AS
DARIUS



PARABLE THE FIRST: LIVING IS FOR THE DEAD

INT. - WORMWOOD MANOR - AFTERNOON.

Lord Edam peered thoughtfully at the corpse her daughter had brought in. Kin and her ward, Absomian, waited until the Lord whispered a prayer over the dead man. Edam urged him to find his way to God's Judgment and perhaps, if he were found deserving, into Paradise.

EDAM (addressing his daughter without turning to her)
And how did my Little Lord find him, this dead man?


KIN
Half-eaten. It must have been a wolf. I've seen them around, the grey ones. I think it must've been my approach that interrupted his feast.


EDAM
No one has been reported missing. You must help him, my daughter. Help him make his way home, and honor him as we must honor the dead.


KIN
How would the Lord instruct me to honor the dead man?


EDAM (thoughtful)
Through his blood and his bones, and the holes in his clothes, and the mud under his fingernails. Find his home through the tracks he laid, if the rain has not wiped them out. Look at what he might have eaten, what he may have drunk. Remember him and let him guide you through his life. We honor the man through his memories.


KIN
By His light, and His will.


Kin bowed her head, and Lord Edam her father let them be. Kin gave a thoughtful look to her ward, Absomian. He was a dark-skinned giant with the bluest of eyes, a Ni-Kunni of great fortitude and her childless uncle by relation. He'd helped her haul the dead man back from the grotto to Wormwood Manor. She nodded to him and Absomian took his leave.

Kin pondered the body of the dead man for a while, then set herself to work. She stripped him of his clothes and examined the hole in his torso, his limbs, his extremities, and under his hair. She would examine his hunting rifle and knife later. She checked the colors of things, the smells, the consistency. She looked for broken bones and cuts. The body was weighed. Blood, urine, stool, and marrow samples were collected. Every known gland was pricked with a syringe and a sample of their contents extracted. She put him on a rubber block to stretch out his torso. Where the rest of him was still intact, she made a wishbone-shaped incision extending to the shoulder joints and down past his hips. His innards were examined. She then systematically removed his organs one by one, dipping them in soft gelatinous formalin to make them easier to cut into later. She saved the eyes and the brain for the end. The husk of the dead man lay before her, not even his heart left within him. All he wore was his hair and fingernails.

She put on her hunting coat and went back to the grotto.



EXT. - AMARANTH HOLDING - SWAMP - NIGHT.

She looked for the sign of a bullet from the dead man's rifle and found one embedded in a rock. The footsteps of the animal that must've eaten him had disappeared, but she could still find his footsteps. She followed them back, losing them when she saw no sign of broken branches or footsteps anywhere across the untouched wilderness, but Kin was a persistent one. Finally, his footsteps died on the outskirts of a settlement, Coal Town it was named.

Coal Town was small, but a few thousand lived in it. Asking around, she found nothing.

Satisfied, she had found all she could through tracking she returned home.

\J/

veiled and bound

my origin story (on eve-backstage)

Goldfinch
Garoun Investment Bank
Gallente Federation
#2 - 2015-10-29 06:32:08 UTC  |  Edited by: Goldfinch
INT. - WORMWOOD MANOR - NIGHT.

Samples of the dead man's bodily fluids were placed in a centrifuge and on a glass slide for examination under a microscope. Hair samples were taken for DNA to be run against Mishi's records database. The fluids were analyzed by IR and UV spectroscopy. They were cycled through a chromatograph. The organs were cross-sectioned and examined for diseases and genetic conditions. The contents of his stomach were checked for signs of what his last meal may have been. The dead man's remains were treated as if they were made of precious gold, and Kin took careful notes of every discovery into a tiny red notebook.

FACTS
He was a hunter, this dead Ni-Kunni.

The state of his lungs would explain he worked neither in the coal mines nor in the power plant. Likely didn't spend too much time at home. He could have been a drifter. He was not found in the public database, though this was not uncommon.

Curious black sand was found inside his boots. Coal Town bordered on a lake. Was it possible its beach was black sand?

He had a blood condition that required regular medication. Since he did not have any on him he must have lived close by.

The contents of his stomach were somewhat rich in iron, and he had a considerable bit of alcohol to drink.

He had keys on him.

A star-shaped indentation formed a distinct bruise on his left hand, his off hand.




EXT. - COAL TOWN - KETTLE LAKE BEACH - DAY.

She had never been to this lake before. The fine black sand looked like it could belong in an hourglass. Mishi's yellow star shone weakly through the thick fog. The bustle of Coal Town was far from Kettle Lake. The fog pushed away the plumes of coal smoke towards the mountains.

She knelt down to taste the lake water. The taste of iron was unmistakable.

She looked about the sparse few houses, avoiding those that showed signs of occupancy. She walked among the residences unafraid, for she was the Lord's only daughter, the owner of this land, the master of these people. God walked with her, for her mission to solve the man's identity was a Lord's responsibility to his people who were like his children.

Some few doorknocks later, she came upon a house with a door that opened using one of the dead man's keys. She pushed the door open with a gloved hand, but hesitated at the doorstep. She had no invitation to enter. Though she walked fearlessly along the streets, the home was a sacred place, a protected place. Like bracing herself against a knife wound, she closed her eyes and crossed the infinite distance across the door frame into the house.

The house was plain and decorated with animal skins on the walls and the floor, and a grey wolf's head atop the fireplace. She checked the rooms and finally the medicine cabinet. It contained the medicine she expected to find. She looked through the dead man's things, his dishes, his utensils, his clothes, his rifles, his computer. She spent hours touching them, pouring over them, understanding them, committing them to her memory. He would live on in her mind, she thought. It is how she would honor him, the Faithfully departed.

All mysteries were solved but one. She came to take a seat in the chair he likely sat in during the evenings when the fireplace was lit. She picked up a book from the table and read it like he probably would. She took a swig of Kadorian brandy, straight from the bottle. He never used glasses, not this one.

And across from her, in front of her eyes, obscured in plain view was a massive painted iron door. At its heart, a star shaped pommel was installed to serve as a doorknob. It matched the star shaped indentation on the dead man's palm. The hairs rose up on Kin's neck. This door was special. Something was behind it. She sniffed the air, like an animal would, and sure enough there was something else to be perceived. Did the dead man live alone?

She walked up to the iron door, examining it from the bottom to as high as she could reach. She put her ear to it. She knocked on it. It sounded hollow. And then, someone knocked back.

At first she was afraid, but what was she afraid of? Amaranth belonged to her, and by extension this house and everything in it was hers. A Lord's Domain was the source of his strength, of his invincibility, and his immortality. Nothing could harm her, certainly not anything that was behind the door.

With a push and heave she swung the door open, and all the available light in the room poured into the fuligin darkness of what lay beyond. Stairs descended into a hole darker than night itself. And at the edge of the hole sat a little Matari girl, a Vherokior it seemed by the slim curve of her eyes. Her hair was torn in places and her arms bore scars no child should ever suffer.

Kin looked at the girl staring back at her. The girl's eyes were dry of tears. Her heart was the hard pit of a fruit that had long since been eaten.

And she dared not look away.

\J/

veiled and bound

my origin story (on eve-backstage)

Goldfinch
Garoun Investment Bank
Gallente Federation
#3 - 2015-10-29 06:33:48 UTC

I will post the second part of this fiction piece tomorrow.



\J/

veiled and bound

my origin story (on eve-backstage)

Goldfinch
Garoun Investment Bank
Gallente Federation
#4 - 2015-10-31 08:43:49 UTC
PARABLE THE SECOND: DEATH IS FOR THE LIVING

INT. - RKARD PLANTATION HOUSE ON KADOR PRIME VI - ORISON ROOM - EVENING.

Beads of sweat glistened on her high forehead. She was dark skinned with peculiar and lovely Jin-Mei features, rarely seen on a Holding in Kador. She was a doll carved out of Bog Wood. Unlike her peers in bondage, her scars were mostly self-inflicted and her Faith was authentic, not an act to placate the Master.

Her name was Jade, but she had forgotten it. A Finch was all she was.

Her clothes were washed and her hands were clean. The mechanized rotunda of the prayer room kept itself aligned to the Emperor Family Academy. The mihrab she knelt in front of pointed to the Amarr Throne itself. The walls were stark and colorless white. No art was hung upon them, except around the rim of the dome where the sinuous script of Amarr quoted Scripture.

No sound was heard except the occasional chirping of birds.

This was all she had in life, her communion with God. She had no possessions, not even the clothes on her back. Her only relations were the Foreman and her Master. There was no person inside her. She was just an empty vessel, a wind instrument for God to play a tune.

Tonight, He would play a tune of woe.



INT. - RKARD PLANTATION HOUSE - KITCHEN - EVENING.

The army consisted of three cooks, four assistants, twelve attendants to serve food and drink and look to the comforts of their Master and guests, ten house slaves for washing and cleaning and chores, and a Governess to oversee the army.

The plates were bone ceramic and the cups were porcelain. Napkins were folded to resemble tulips and arranged with white steel flatware. The smell of jasmin and herbs filled the air.

The six course meal would consist of:

Apéritif.
Dry Sherry (or alternately Sherry-Cobbler with Quafe)
Aged 6 years in casks at Damahdulian Estates in Askonak

Hors-d'œuvre.
Wheat bread with balsalmic wine and roasted tomatoes, or a salad

Plat Principal.
Small whole chicken with garlic, lemon butter, and thyme

Salmon roe with cultured cream, fried seaweed, and a bison steak served with horseradish and almond butter


Dessert.
Milk Cake

Digestif.
Capirinha, or alternately a Bark Wine Bitter with Starsi




INT. - RKARD PLANTATION HOUSE - DINING ROOM - EVENING.

The guests were the brother and wife of Darius Rkard, the Plantation Master. Darius stood a head or two taller than anyone else Goldfinch had met. His skin was darker than hers, but with the consistency of cow's milk. Though his long black hair would often fall over his eyes, they could not obscure their piercing intensity. His wrists were thicker than her forearms. He walked with the certainty of birthright Salvation. This privilege was his and his alone because of his True Amarr blood.

But today, Darius walked with a limp. A cane bore the brunt of his weight as he shambled about, begrudgingly. The walking cane was fashioned from ironwood in the shape of an elephant's head at the pommel.

His brother Kaspar bore the Sefrimic grace which ran in the Rkard family. He looked cadaverous and gaunt, like a being of a supernatural quality. His wife Banu had skin the color of a polished pearl. She was quiet, but her beauty drew the room in.

Together they sat close to each other, Rkards three. The table ran half the length of a tournament jousting yard. The food was prepared and served to them with impeccable etiquette.

KASPAR
How is it that my Lord requires a cane?

DARIUS
Today I went down to the mine. There was a stuck drill and I pulled it out. Tore my soleus.

BANU (teasing)
And he spared the drill that wounded him?

DARIUS
An expensive drill. More expensive than beaten pride. God teaches Temperance.

KASPAR
I still have nightmares about that mine.

DARIUS
Do you remember when I first sent you down to it? So you could learn the value of hard work?

KASPAR
I remember the dogs in their dreadlocks and tattoos. I'm sure it crossed their minds to slit my throat.

DARIUS (derisive)
You went in pale and softbodied and meek, and came out wasted and covered in soot. My brother the milksop.

KASPAR
The only reason my Lord has his dark complexion and I do not is my mother isn't the Udorian field worker who was father's favorite.


It is at this point that a low growl came from Darius Rkard, Lord of Mount Acrimony, Lord of Rkard Plantation, lesser liege of Uriam Kador, direct descendant of Borys Rkard who was Brigadier Colonel for three Mechanized Infantry Legions deployed to Kulheim colony in A.D. 22480 and granted Holdership for his service to Amarr.

BANU (putting her hands on both brothers' shoulders)
Now.. now.. let's not saying something we would regret come the dawn, hm?


Darius put his hand on Banu's in a way that was subtly intimate, to the silent outrage of his brother.

DARIUS
Calm yourself, Little Lord. Always a flare for the dramatic. You would make a better actor than governor.


Darius held up a cup of wine for Kaspar, who begrudgingly acknowledged the toast.

DARIUS (beaming cruelly)
To the greatest miner who ever lived on Kador, hm?

KASPAR (gulping nearly the whole cup)
Salut.


There was a fire that always had burned in Kaspar's eyes, indeed. What was his brother's should have been his, but fathers leave only a pittance for sons of second wives, for these wives were never in the books as such. Polygamy was a sin, and the bastards of polyamorous Holders may as well have been as destitute as the Matari working Darius's mines.

There were two Sins to be committed this evening, of which the first was Envy.

\J/

veiled and bound

my origin story (on eve-backstage)

Goldfinch
Garoun Investment Bank
Gallente Federation
#5 - 2015-10-31 08:45:20 UTC  |  Edited by: Goldfinch
INT. - RKARD PLANTATION HOUSE - LIBRARY - EVENING.

Darius Rkard stood with his elbow against the mantle of the fireplace, only half-leaning on his elephant head cane. No fire burned in it because it was summer and balmy on Kador VI. Kaspar was seated with legs crossed on a chair examining a book and Banu was in the kitchen tasting wines.

Everyone was flush with wine and spirits.

KASPAR
.. she was a Matari whore. Debate it all you want, but her record said Ni-Kunni. Of course, she was about as Ni-Kunni as your house slaves in the kitchen. It's a sin, of course, falsifying the record, and that's why Bolg was stripped of titles.

DARIUS
I can never tell if you are making idle conversation, or implying something.

KASPAR (looked up from his book)
All I'm saying is that Truth is our highest virtue, and it is reflected in Scripture. The Records are a part of Scripture you know.. putting lies into the Book is a sin.

DARIUS
Suppose you are saying father is a liar. For having mother written in as Amarr?

KASPAR (scoffed)
She's not my mother. They were all hunted down on Athra, you know.. like rats. And now they live in the space between the spaces. In the corners and alleyways and making do like they are us. Not quite Amarr, but who knows the difference, right?

DARIUS
Mind your tone. Just because you don't like mother's complexion or the shape of her nose doesn't make you some sort of anthropologist. We are all Amarr here.

KASPAR (chuckles drunkenly)
In your sick fantasy. Yes, my Lord.


Rage dripped into Darius's heart, one drop of wine at a time. The conversation had not departed from the subject of his genetic extraction. It was a topic Kaspar was obsessed with, because it gave the bastard some legitimacy. The insult alone wasn't a threat, but Kaspar could easily one day find himself chatting idly with a Councilman or a Bishop or, God forbid, a Cardinal. Kaspar the governor was used to his lavish lifestyle, afforded by his brother's allowance.

Perhaps it was the True Amarr in Kaspar. His position of privilege within the austere social order of the Empire made him a weakling. He knew nothing of toil and hard work. His hand couldn't hold a whip with all required strength, or strike with the snap of the lash to bring a slave to heel. He was a worthless illegitimate, an envious half-blood, a Rkard of lowered standard and lacking grace.

Darius gripped the elephant head cane tightly and limped over to Kaspar. He raised it up high, and before his brother could say anything, brought it crashing down on his forehead. And again the elephant head reared, and again it struck Kaspar.



In the kitchen, the commotion of the beating could be heard and the house slaves looked at each other, afraid. Banu surveyed the faces around her, then ran to the library.



To the library, Banu ran in barefoot and then froze. Darius hung monstrous and dark over the body of his brother Kaspar. Blood painted the chair Kaspar sat in and splattered all over the white marble floor. Kaspar's face was beaten to a pulp. He was barely recognizable. He was not breathing.

Banu screamed, and she fell to her knees in tears at the sight of her husband. Hearing her whimpering, Darius turned about, levelling his eyes like cannons on his brother's wife, the witness. Banu was frightened, the sight of the great Lord poised to come at her full bore. She crawled backwards and away from Darius, then picked herself up and ran towards the great arched entrance. She was fleeing.



Banu ran past the kitchen, where Goldfinch saw her. Their eyes met for only a moment before Banu was gone, into the night.

Goldfinch ran to the library, and she saw her Lord. Darius was painted in blood, and his ferocity pooled in a halo around him. His hair was in a fray. Her chin rose until her eyes met the Lord's. Her heart pounded like a fist. She felt light headed. The Lord looked down at Goldfinch from his great height. His silent instructions to her were clear. He needed her to do it.

She stared at him for a moment that seemed to last an eternity, then ran to the great arched entrance after Banu. On her way past the kitchen she snagged a knife.



EXT. - RKARD PLANTATION - NIGHT.

Nightbirds called cautiously, relaying secret messages. The moon would not come out for many weeks. The night sky was the darkest of red. The screeching of cicadas filled the space between the tree trunks. The wind ran its fingers through the tops of trees, but it did not dare linger for long.

In the darkness Banu was blind. Her soft feet were not used to the underbrush, and her hair found itself caught in braches and ripped by passing trunks. She stumbled hands over feet. In the distance there was the sound of a stream. Banu tiptoed over the pebbled bank and waded through the shallow stream. When she tried to climb out onto the far bank she tripped and fell.

And just then, Goldfinch came upon her. She looped her arm around Banu's shoulders, locking her in with the strength of a wooden stockade. She held the tip of the knife just under Banu's ear, then sliced it clean across her neck. Banu thrashed for some moments as she bled out, but then she lay still. Her blood covered Goldfinch in its warmth.

The cicadas had fell silent.

\J/

veiled and bound

my origin story (on eve-backstage)